Bands That Take Selling Seriously

from the don't-forget-the-merch dept

We recently wrote about how bands are (successfully) experimenting with different models to sell more merchandise at shows, and Ian Rogers of Topspin (who I also -- finally -- got to meet at the Leadership Music Digital Summit) writes about two bands he recently saw who clearly understand the value of selling (and, as he notes, neither band is using Topspin, so he's not promoting his own partners here) by actually realizing that selling merchandise is part of their job. He describes how one band, Halestorm, was opening for another band, but rather than being just a typical opening band that fades into the background, they made sure that people knew about them, first by putting on a great show and then by making it clear that (a) they have affordable merchandise for sale and (b) the band itself will be hanging out with the crowd and wants to meet everyone. From Ian's post:

• Lzzy starts solo with a guitar around her neck and a mic, just singing acapella. Long notes, killer voice. She has people cheering for her before the rest of the band even walks out on stage. Before her voice gets hidden behind the rock, she lets 'em know she can sing and you can see people are impressed straight away.
• The rest of the band appears and they tear through a few songs. It's straight-ahead rock, on the heavy side but ready for pop radio. Everyone in the band is high-energy and engaging, even Lzzy's brother Arejay on drums is standing up for parts of the songs and just generally being a showman.
• Mid-way through the set Lzzy announces they have a new record coming out in a few weeks but you can buy a pre-release of it now for $5 at the merch stand.
• There's a drum solo-y part that doesn't go on long and ends with the entire band at the front of the stage playing drums and the crowd cheering as they go crazy with it.
• During the last song Lzzy reminds them that they have their own merch stand upstairs and CDs for only $5. She also says the whole band is going to be up there after their set and that she wants to meet everyone.
• I head over to the merch stand after the show and watch their tour manager relieve the woman who runs the merch table so she can disappear into the crowd below with a box of CDs with "Halestorm CDs $5" written on it.
• The merch stand is mobbed. It's surrounded by people and they are selling merch literally as fast as their tour manager can manage.
• The band appears (after breaking down their own stage setup) and meets and talks to as many people as possible, while helping to sell their merch.
• Free stickers list their MySpace page, etc.

As Ian notes: "I'm not worried about these guys at all. Even if the record doesn't work at radio (it may) they're going to do just fine building their audience one show at a time." The band is doing everything right. They're using every opportunity to connect with fans, while also giving them a real reason to buy. They're not waiting for their record label to get them on the radio or MTV. They're doing everything they can to actually build up a rabid supporting fanbase from the bottom up.

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Bands Take Pay What You Want To Merch... And It Works Great

from the business-models-that-work dept

While at the Leadership Music Digital Summit last week, I got into a fantastic conversation with Dave Allen, perhaps most well known for being in the hugely influential band Gang of Four. In fact, the reason I missed the panel discussion about ISPs teaming up with the RIAA was because the conversation with Dave was so fascinating. I hope to talk to him some more in the future as well, but he's a musician (who now helps other musicians) who really seems to understand the new business models that are out there.

Part of what we talked about concerned an experiment, where he convinced a few bands to stop offering set pricing on all of their merch, and instead, told them to ask each buyer what they wanted to pay. The bands that have tried this found that this made fans much happier. Many fans paid more than list price (even when told the "recommended price") because they really wanted to support the band. Other fans, who wouldn't have been able to afford the merch at the list price, came away much happier because they were able to afford stuff. Those fans become committed lifelong fans who are much more willing to spend more money in the future as well.

A few more bands have been taking Dave up on the challenge to try this model, and Ben Taylor (son of James Taylor and Carly Simon) recently tested it out and found that he made a lot more money doing things that way.

We took in well over $1000 in CD sales, double what we would on an average night. We normally sell 3 Full Lengths at $15 each and an EP at $5.

We sold a total of 84 CD’s averaging almost $12 per CD!

Last night we were in Jackson Hole, the trend continued, proving another good night. Where we sold 48 CD’s and averaged almost $11 a CD.

We are moving more product than we normally would and in average making more than what our CD were to sell on iTunes or a record store.

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