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stories filed under: "negotiations"
Legal Issues

Legal Issues

by Mike Masnick


Filed Under:
licensing, music, negotiations, streaming

Companies:
emi, grooveshark



Record Labels Continue 'Negotiating Through Lawsuit'

from the it's-why-they're-so-lovable dept

We've noted in the past that the record labels have a pretty well established operating procedure when it comes to "negotiating" with startups that are actually doing the innovative things in the music delivery and promotion space. They open "negotiations" with these startups... and then after a certain point, they file a lawsuit. It's purely a negotiating tactic (and a way for record label lawyers to keep busy), that makes the "negotiation" a lot more antagonistic, and often ends with the startup agreeing to give up way too much. Warner Music perfected this trick, such as when it sued iMeem only to then invest in the company as part of the settlement. Of course, because iMeem had no choice but to cave in order to deal with the lawsuit, the terms of the deal were so onerous that iMeem nearly went out of business -- until Warner Music wrote off the investment and recently renegotiated.

As unbelievable as it may be, the major record labels apparently don't recognize that "deals" negotiated at the end of the barrel of a gun tend not to work out very well in the long run. They're certainly not mutually beneficial.

And yet... the process continues. While Warner Music has done a bunch of these sue-to-negotiate deals, EMI seems to be involved in many of the more recent lawsuits of this nature. Its latest target is GrooveShark, one of a bunch of sites that lets you listen to streaming music online. Apparently the two companies had been negotiating terms... and then suddenly EMI sued. Par for the course. In the meantime, if you're a music startup hoping to do a licensing deal with a major label, make sure you have some litigators on your legal team. You're going to need them.

8 Comments | Leave a Comment..

 
News You Could Do Without

News You Could Do Without

by Mike Masnick


Filed Under:
bullying, business models, music, negotiations, riaa, startup

Companies:
muxtape, riaa



The RIAA's Playbook: No New Business Models Without RIAA Ownership

from the it's-that-simple dept

Mathew Ingram covers the details of Muxtape's run-in with the RIAA. As you may recall, last month the rather useful site that let people create online "mix tapes" that could be streamed to others was shut down thanks to the RIAA. The site's founder has now admitted that he tried negotiating with the RIAA, but that it was nearly impossible. The RIAA's representatives started the "negotiation" by saying they were about to shut the site down, and then complained to Amazon (whose S3 service hosted the files) to get access to the files blocked. Now, that concerns me for a few reasons. I had created a Muxtape when it first launched, but it had no RIAA label music on it. So, why would Amazon block access to it?

However, the real point of the post is just to highlight how the RIAA views these things. As has been discussed, the RIAA wants to shut down these types of sites. By now, we've seen the pattern over and over again. The RIAA has always been unable to actually innovate with its own online offerings -- in large part because the record labels still think about how to control the music and how to limit what consumers can do with it. So, instead of learning what's innovative, the RIAA has simply decided on a two pronged strategy: (1) get every new and innovative site shut down and (2) offer them one way to return: if they hand over a big chunk of equity.

Very few people seem to be talking about this, but most of the "agreements" that the big labels have reached with various new and innovative sites have involved handing over equity. Basically, the record labels are using a protection racket system: give us some equity, or we'll shut you down. Of course, all this is really doing is slowing down much needed innovation in the music marketplace. Instead, we get bells and whistles like MySpace Music (owned, in part, by the major record labels), rather than something truly useful and innovative.

24 Comments | Leave a Comment..

 
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