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stories filed under: "writers strike"
Culture

Culture

by Mike Masnick


Filed Under:
promotional goods, writers strike



Striking Writers Point Out Viacom Hypocrisy; Claiming Online Video Is Worthless While Suing YouTube For $1 Billion

from the wave-or-a-particle? dept

While I tend to agree with Tim Lee's comments about why the Writers Guild strike is misguided (and the guild itself is increasingly obsolete), it is rather amusing to see the hypocrisy of the studio bosses, claiming that they won't pay the writers anything for the use of their content online because there's no money online at the very same time that they're suing YouTube for $1 billion, claiming they need to protect their valuable online content. Boing Boing points us to an amusing video by some of The Daily Show's writers highlighting this contradictory stance:

Of course, while it's easier to feel sympathy for the writers (and very, very, very difficult to feel any for the studios), the studios are correct that the content is promotional (and they're wrong when they sue for $1 billion). Just as most people aren't paid extra every time a product they helped create gets sold, the writers are only asking for trouble if they really do want residuals for every use of the content they write. It's the same thing that's caused the problems the entertainment industry faces in the first place: the ridiculous demand that every time any piece of content is used for any purpose that money must change hands. The writers are paid by the studios to write content. If the studios are making more money by creatively promoting the shows, then they can start to pay the writers more. But setting up a system where every use requires payment is simply perpetuating the problems the industry is facing and will make it harder for the industry to adjust to the rapidly changing market. While we'd all like the writers of shows we like to get paid well, setting up a system that will cripple the overall distribution of the content won't do them any benefit. It will just open up avenues for other, non-TV, content to take their place.

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