https://commons.wikimedia.org/wiki/Category:PD-AR-Photo
10,060 photos. Some could be old enough to not be impacted, but at a glance those are a small proportion.
A more effective way to blacklist the BSA is to only use free/open source software.
The computing world we live in today would likely be very, very different if there had never been a Doug Engelbart.
Yes, apparently the way to "increase the value" is to no longer allow Creative Commons content to "circulate freely" because it might compete with other business models
https://en.wikipedia.org/wiki/Denham_Tracts cites Michael D.C. Drout, ed., J.R.R. Tolkien Encyclopedia: Scholarship and Critical Assessment, Routledge (2006), p. 121. ISBN 0-415-96942-5 as saying Tolkien may have gotten the term from the Denham Tracts.
Indeed copyright is wrong (I mean wrong name, but also plain wrong :)) and ought be called copyrestriction or worse.
you must compete with freeOnly if your business is selling copies, ie you=publisher (which is indeed what the linked column assumes). But if you=artist or anything else, competing with free isn't a must (though you can) and competing with free is the wrong way to see free. Often you want to, um, leverage free to connect with fans, and give them reasons to buy stuff that complements free. :-)
Regarding easily broken, CSS is arguably not an "effective" technical measure, eg https://www.eff.org/deeplinks/2007/05/effective-technological-measures-it-means-what-it-says-says-finnish-court
But the general issue remains, eg with Blu-Ray.
There's two issues: the copyrighted work restricted by DRM, and the DRM system itself. Often the entity that can give permissions around the first doesn't control the second. But I think it is socially responsible to give whatever permissions one can to circumvent DRM given the horrible policy environment. If you look closely at GPLv3 it addresses both cases as best it can (2nd if someone is silly enough to use GPLv3 code in a DRM implementation). See section 3 of https://www.gnu.org/copyleft/gpl.html ... hopefully CC 4.0 licenses will do something along these lines as well.
You or another AC quoted relevant text above. Regarding whether language implicitly allows parallel distribution, maybe. A lawyer that worked for CC in 2006 gave the following non-opinion on that:
This argument can certainly be
made. CC does not feel that it, as
license steward, should opine on the
likelihood with which a court in any
jurisdiction would uphold this
argument if the issue were litigated.
If those things are not "inherent in copyright," then the copyright holder has no legal basis to impose it as a condition.
If someone thinks they can outright plagiarize a CC0 work, then it's up to people like us to set them straight.
Actually I think imposing (more accurately, conditioning permissions upon) restrictions are quite the same thing as granting permissions (successfully or not). Conditions can be things not inherent in copyright. DRM conditions discussed in other comments being an example. A bit more on this at http://gondwanaland.com/mlog/2012/01/31/copyleft-regulates/
Also, I look forward to the day when someone uses a work under CC0 without attribution and gets sued by the CC0 licensor/affirmer in Europe. Really, it'll be a curiosity.
(And I realize you're not trying to rag on CC, but don't mind if anyone does, and does so well.)
It was launched by legal scholar Lawrence Lessig, who indeed was dismissive, even contemptuous, of the potential of fair use to address copyright imbalance.
Even people who depend upon CC licenses, such as the makers of open educational resources?scholarly materials of all kinds, available free on the web?still sometimes need fair use. That is because most new work refers to existing culture. When that happens, people need to exercise their right of fair use, because most work is not in the copyright-light, fenced-in zone.
This makes CC a copyright-light zone rather than copyright-free zone,
and of course it does nothing (and doesn?t pretend to) to loosen long and strong copyright policy?rather, it depends upon it.
A CC license, intended to promote circulation of work, may limit it to the alternative CC world it was born into. This is precisely because it is designed to be an alternative to rather than a feature of the copyrighted environment.
CC licenses thus far don't permit DRM so long as non-DRM version is included. This is known as a "parallel distribution" option and has been rejected, but there's some small chance could be tweaked in version 4.0 of the licenses which are being developed now, see http://wiki.creativecommons.org/4.0/Technical_protection_measures
In any case, CC licenses are non-exclusive, so the DVD publisher could get different terms from the copyright holder/licensor.
CC0 does the best it can to waive attribution. It certainly doesn't *impose* attribution. At worst, it doesn't successfully get rid of it. I recommend reading https://creativecommons.org/publicdomain/zero/1.0/legalcode
Via the Wikipeida article on SEED, someone wrote about the resulting monoculture 5 years ago http://www.kanai.net/weblog/archive/2007/01/26/00h53m55s
Why was SEED developed in the first place?
South Korean legislation did not allow 40 bit encryption for online transactions (and Bill Clinton did not allow for the export of 128 bit encryption until December 1999) and the demand for 128 bit encryption was so great that the South Korean government funded (via the Korean Information Security Agency) a block cipher called SEED.
Why can't people dedicate their entries to the public domain with a Public Domain Mark or a CC0 license, or retain their rights but make the submission freely available?
How about a business that relies on selling protection from being sued by said business (ie sells copyright or patent licenses)?
I couldn't figure out from the PDF linked to in the article text above what the context of this was. Here's the blog post announcing the PDF:
https://www.newamerica.org/oti/blog/raising-standard/ (March 23)
The only new detail shed is that they're starting a promotional effort for The Digital Standard. Which is good!